ESKILHe should leave it alone—really, he should. But Eskil is an addict, and if it isn't one vice, it's another. His obsession with Enzo has become an obsession with Rayne by proxy, monitoring their actions daily like his regular fix. At first, Eskil had been jealous; Enzo has never kept a girl like he did this one, and he's a selfish creature at his core. Being shirked to the side and ignored hadn't sat well with him, and if he's being honest with himself, if he hadn't been given a colossal problem of his own to deal with, his jealousy likely would have built to murderous intent. But after the last time he'd seen Lorenzo in person, having passed along the intel he'd been sitting on, Eskil had all but gone into hiding. He'd had no choice.
His new apartment is quiet and private in the penthouse of an impressively secure building, though it's not as lavish as many of the city's high rise buildings. It had become...strangely comforting to pull up those camera feeds and see Enzo closer to happiness than he's ever witnessed in all the years they've known each other. Whatever it is that he's getting from Rayne, it's something that Eskil recognizes he can never provide—and nor does he wish to. He isn't really certain when his interactions with Lorenzo had shifted from tense conversation to back-handed innuendos to...more, but it isn't love. It isn't soft. It isn't healthy. He doesn't think either of them would know what to do with a healthy relationship at the end of the day.
Still, simply letting Enzo go just isn't in his nature. He leaves well enough alone, working countless hours in the weeks that follow the massive fuck-up of a murder and a torched warehouse on his hands, but every evening—or morning, rather, considering his nocturnal schedule—he snoops his way into those cameras, for once doing so with clean precision that leaves no trace of his entry. Call it an olive branch, but he's letting Lorenzo be—for now.
Riiight up until the moment when he truly needs him.
That's how it works with them, though. Eskil breaks down firewalls and identifies threats, Enzo handles the problem. Only this time, his text goes unanswered, despite its impressively professional nature for Eskil. It pisses him off at first. The mobster is welcome to stick his cock wherever he likes, but if that girl is going to get in the way of business—
His room is empty. No Lorenzo, but more strangely, no Rayne. Frowning, Eskil flips through the camera feeds of room after room, his nostrils flaring when he reaches the mansion's surgery suite full of people. The floor is stained red, a flurry of activity moving around the prone and unmistakable body of Lorenzo Vincenza. Fuck. In the hours following whilst doctors save his life, Eskil gets to work, backtracking to figure out what the actual fuck had happened. The footage from the warehouse has a vein ticking in his forehead, his jaw clenched. He tracks down Rayne's movements next, surprised to find her depart the manor with Omar, but not return with him. It's obvious that she'd planned the way she shooed him away from her dressing room before darting out the back door of the shop, managing to hail a cab in under a minute and disappear before her unsuspecting bodyguard had any idea. What the fuck?
Eskil jumps to the worst of conclusions. Somehow, Rayne had set this up, crossing any and every line to obtain her freedom from the italian. The only reason he doesn't track her down and cross a few fucking lines of his own to exact revenge is because he loses her in the bustle of the city's cameras, and she was smart enough to turn off her phone.
-----------------
Days later, he's in the middle of working at his desk when a ping alerts him that Rayne's phone has come online. It doesn't take him long to determine where she's going. He paces the floor of his apartment for so long that he's liable to rub a hole in the carpet, and finally with a low groan of defeat against his impulsivity, Eskil grabs his jacket and keys and heads out into the night. He didn't think Rayne would be stupid enough to try to go back and finish what she started, but sure as shit, that little red dot gets closer and closer to the mansion with each passing second.
It's not the first time Eskil has broken onto the premises. He'd taken his small, inconspicuous sedan rather than his bike, left it where he knows it can't be seen, and crept into the property. What he doesn't expect to see as he crouches in the bushes, though, is Luciano's ruddy, angry face in the doorway, his gun leveled at Rayne. The interaction is brutal, as most with the eldest Vincenza often are; even his own daughter isn't spared his brutality, sent to the floor by a heavy blow to her cheek. Even Eskil winces. One thing's for sure: Rayne doesn't look like a woman on a warpath.
She looks broken.
Mother fuck.
This is probably the worst impulsive decision he's made in the history of...well, fucking ever, but the second the idea flares to life in his head, he knows he isn't leaving without executing a plan. Thankfully, he doesn't actually have much to contend with. Only Omar is left in the doorway with a red-faced Rayne, but eventually, even he shoos her off far more gently than Enzo's father had done. Stumbling back down the driveway, he watches her go to wait for the cab Omar called for her; in the time where the front yard is quiet and no cars have arrived yet, Eskil makes his move.
He's silent as he prowls out of the shadows behind Rayne, stepping up behind her and immediately clapping his hand over her mouth, silencing her before she can even begin a scream. His other arm secures around her waist and arms, hauling her back against his chest as he drags her backwards into the underbrush. He's not really a malicious person, but he doesn't have another choice; it's not like he could have approached her and introduced himself and nicely asked her to come with him. He would've been pepper sprayed in the fucking face. Once he has her squarely out of sight, his arm shifts from her mouth to band around her throat, silencing her just as effectively as he cuts off her airflow. Once she's limp in his grasp, Eskil sighs softly and hauls her into his arms, making quick work of returning to his car, and then his apartment.
-----------------
An hour later, Rayne begins to stir on the couch where he'd deposited her. Her clothing is rumpled but untouched, aside from her shoes that have been removed and set neatly on the floor beside her. He'd even been so chivalrous as to drop a blanket over her, and now he's seated on the loveseat that's kitty corner to the couch she's on, his feet propped up on the coffee table and a laptop settled on his outstretched legs. Every now and then, he glances at Rayne and internally kicks himself for this idiot plan, but Eskil just keeps working, the keys quietly tapping away as he waits for all hell to break loose.